Joe Abercrombie’s new book is marketed as YA, I hear. In Abercrombie’s world, it seems the only difference is that there isn’t as much swearing. The first 30 pages seemed ordinary enough that I was starting to worry a bit, but no, Abercrombie did not disappoint in the matter of plot twists and well, plotting. Half a King could be the perfect gateway drug to fantasy for some unsuspecting teenager. It reminded me of my first foray into fantasy with Tad Williams’s Dragonbone Chair (I’m not counting Tolkien, oddly enough, as I got into him much later), though it is definitely grittier. You will have to wait a few months for this one, as it is not out till July.
Shovel Ready wins the award for the Largest Number of One-Word Sentences in a Novel. It might also be the only book written about a garbageman, albeit a former one. Great narrator, fun read, but I can’t say it really stayed with me. I think it’s really my current overload with dystopian settings, though I did enjoy snappy narration (and I am normally not a fan of one-word sentences and one-sentence paragraphs) and noirish elements. It would probably be quite excellent as an audio book.
I came home one night after an absolutely exhausting work week. I got some bourbon (Bulleit, if you are wondering), and looked through my books. I picked up a couple of books: one turned out to be too depressing, another one turned out to be a lackluster version of something I had read years ago. Then I realized I’ve had God’s War sitting on my shelf ever since it came out, and I never got around to reading it.
In short: guys, it is not perfect, but it is complex and smart. It has kick-ass women. Oh, and everything runs on bugs. This includes all tech. Which makes certain kind of sense: there are a lot of insects, why not use them to produce fuel, or to heal (we are starting a bit smaller, see here about bacteria that can repair its own radiation damage). The book is also an interesting mix of both sci-fi (tech) and fantasy (people who have affinity for manipulating bugs are called magicians). Besides the world-building, what makes God’s War an example of great speculative fiction is its hard look at gender, religion, and the necessity (or lack thereof) of war.